
Person
Remi Adefarasin
Camera · Born 1948-02-02 · London, England, UK
Biography
Remi Adefarasin (born 2 February 1948) is an English cinematographer. For his work on Elizabeth (1998), he became the first black person to be nominated for the Academy Award for Best Cinematography.
Known for

Play for Today
Director of Photography

Band of Brothers
Director of Photography

Bergerac
Director of Photography

Me Before You
Director of Photography

Secret Invasion
Director of Photography

The Pacific
Director of Photography

Johnny English
Director of Photography

Arabian Nights
Director of Photography

The Buccaneers
Director of Photography

My Oxford Year
Director of Photography
Filmography
- 2025My Oxford YearDirector of Photography
- 2023Locked InDirector of Photography
- 2023Secret InvasionDirector of Photography
- 2023What's Love Got to Do with It?Director of Photography
- 2021Locked DownDirector of Photography
- 2020Jingle Jangle: A Christmas JourneyDirector of Photography
- 2019The Last VermeerDirector of Photography
- 2019Fighting with My FamilyDirector of Photography
- 2018Where Hands TouchDirector of Photography
- 2018Juliet, NakedDirector of Photography
- 2016David Brent: Life on the RoadDirector of Photography
- 2016Me Before YouDirector of Photography
- 2016Pride and Prejudice and ZombiesDirector of Photography
- 2015Molly Moon and the Incredible Book of HypnotismDirector of Photography
- 2012The Cold Light of DayDirector of Photography
- 2010Little FockersDirector of Photography
- 2010Cemetery JunctionDirector of Photography
- 2010The PacificDirector of Photography
- 2007Fred ClausDirector of Photography
- 2007Elizabeth: The Golden AgeDirector of Photography
- 2006Amazing GraceDirector of Photography
- 2006ScoopDirector of Photography
- 2006Cinematographer StyleSelf
- 2005Match PointDirector of Photography
- 2005Making DemonsCamera Operator
- 2005Cartier and Kneale in ConversationCamera Operator
- 2004In Good CompanyDirector of Photography
- 2004The Route V50Director of Photography
- 2003The Haunted MansionDirector of Photography
- 2003Johnny EnglishDirector of Photography
- 2002The One and OnlyDirector of Photography
- 2002Unconditional LoveDirector of Photography
- 2002About a BoyDirector of Photography
- 2001Band of BrothersDirector of Photography
- 2000The House of MirthDirector of Photography
- 2000Arabian NightsDirector of Photography
- 1999OneginDirector of Photography
- 1998ElizabethDirector of Photography
- 1998Human BombDirector of Photography
- 1998Sliding DoorsDirector of Photography
- 1998The Ebb-TideDirector of Photography
- 1996EmmaDirector of Photography
- 1996Hollow ReedDirector of Photography
- 1996Cold LazarusDirector of Photography
- 1995The BuccaneersDirector of Photography
- 1994Midnight MovieCinematography
- 1994CaptivesDirector of Photography
- 1994Great Moments in AviationDirector of Photography
- 1993The Spot FX ManDirector of Photography
- 1992Black and White in ColourDirector of Photography
- 1992Memento MoriDirector of Photography
- 1992Miss Pym's Day OutDirector of Photography
- 1992The Lost Language of CranesDirector of Photography
- 1991Truly Madly DeeplyDirector of Photography
- 1991SleepersDirector of Photography
- 1990The Land of DreamsDirector of Photography
- 1989Summer's LeaseDirector of Photography
- 1989Dream BabyDirector of Photography
- 1988ChristabelDirector of Photography
- 1988Sweet as You AreDirector of Photography
- 1987Shoot for the SunDirector of Photography
- 1986Shift WorkDirector of Photography
- 1984Four Days in JulyDirector of Photography
- 1984The Hope and the GloryCamera Operator
- 1984AmyDirector of Photography
- 1983Ronald Blythe - Working At HomeCamera Operator
- 1983Doctor Who: The King's DemonsCamera Operator
- 1983Doctor Who: TerminusCamera Operator
- 1982Mike Leigh: Making PlaysCinematography
- 1982Home Sweet HomeDirector of Photography
- 1981BergeracDirector of Photography
- 1980Grown-UpsDirector of Photography
- 1976Arnhem: The Story of an EscapeAssistant Camera
- 1970Play for TodayDirector of Photography
Follow their work on Vescene
Rate films and shows on two axes — quality and fun — and share taste with friends.