Person
Hal Mohr
Camera · 1894–1974 · San Francisco, California, USA
Biography
Hal Mohr, A.S.C. (August 2, 1894 in San Francisco – May 10, 1974 in Santa Monica, California) was a famed movie cinematographer. He is known for his Oscar-winning work on the 1935 film, A Midsummer Night's Dream. He was awarded another Oscar for his work on The Phantom of the Opera in 1943, and received a nomination for The Four Poster in 1952. From a young age, Hal Mohr wanted to pursue a career in cinematography because he was curious to learn about how to make pictures move onscreen. He worked as a photo finisher in a photo lab to gain experience with the camera. When he was 19 years old, he filmed his first movie, Pam's Daughter, which, unfortunately, was never seen by the public because of problems with the motion picture distribution company. Although Mohr mainly worked as a cinema portraitist on movies such as The Wedding March, A Midsummer Night's Dream, and the Technicolor The Phantom of the Opera, he was passionate about exploring the limits of the camera. Mohr shot in deep focus years before Gregg Toland -- Bullets or Ballots and The Green Pastures were both shot in deep focus. He was inspired by the moving shots in the Italian movie, Cabiria, and developed a camera with special tracking abilities for his 1914 film, Pan's Mountain. Notably, Mohr is the only person to have won a competitive Academy Award without being nominated for it. In 1936, a write-in campaign won him the Best Cinematography Oscar for his work on A Midsummer Night's Dream (1935). The Academy later changed the Oscar rules, making write-in voting impossible. In 1944, Mohr became the first person to win an Oscar for both Black-and-White and Color cinematography when he won his second Academy Award, this time with W. Howard Greene for Best Cinematography in a Color Film, for their work on The Phantom of the Opera (1943). Mohr was nominated for an Academy Award for Best Cinematographer for his work on The Four Poster (1952), a film based on a play of the same name, written by Jan de Hartog. He was also nominated for a Golden Globe for Best Cinematography in a Black and White Film, for his work on the same movie. Other film cinematographer credits include Little Annie Rooney (1925), The Big Gamble (1931), Cheers for Miss Bishop (1941), Another Part of the Forest (1948) and The Wild One (1953). Mohr served as president of the American Society of Cinematographers from 1930 to 1931. Then, for two terms from 1963 to 1965 and finally from 1969 to 1970. He was one of the first members of the Academy of Motion Picture Arts and Sciences, and a senior member of the Academy's Board of Directors. He headed the Academy's Cinematography Branch for over 20 years, and was also a part of the Academy of Television Arts and Sciences. Before his death, he would travel the country promoting cameramen and the industry of cinematography. For his many contributions to motion pictures and the film industry, Hal Mohr received a star on the Hollywood Walk of Fame located at 6433 Hollywood Blvd.
Known for

The Barbara Stanwyck Show
Director of Photography

Topaz
Technical Advisor

The Wild One
Director of Photography

Captain Blood
Director of Photography

The Jazz Singer
Director of Photography

Baby Face Nelson
Director of Photography

Rio
Director of Photography

Phantom of the Opera
Director of Photography

International Lady
Director of Photography

Watch on the Rhine
Director of Photography
Filmography
- 1979The Man You Loved to HateSelf (archive audio)
- 1969TopazTechnical Advisor
- 1968The Bamboo SaucerDirector of Photography
- 1967Jack and the BeanstalkDirector of Photography
- 1965Invisible DiplomatsDirector of Photography
- 1963The Man from the Diners' ClubDirector of Photography
- 1962The Creation of the HumanoidsDirector of Photography
- 1961Underworld U.S.A.Director of Photography
- 1960The Barbara Stanwyck ShowDirector of Photography
- 1960The Last VoyageDirector of Photography
- 1958The Gun RunnersDirector of Photography
- 1958The LineupDirector of Photography
- 1958No Time at AllCinematography
- 1957Baby Face NelsonDirector of Photography
- 1956The BossDirector of Photography
- 1955Day is DoneCinematography
- 1953The Wild OneDirector of Photography
- 1952The Member of the WeddingDirector of Photography
- 1952The Four PosterDirector of Photography
- 1952Rancho NotoriousDirector of Photography
- 1951The Big NightDirector of Photography
- 1950Woman on the RunDirector of Photography
- 1950The Second WomanDirector of Photography
- 1949Johnny HolidayDirector of Photography
- 1948An Act of MurderDirector of Photography
- 1948Another Part of the ForestDirector of Photography
- 1947The Lost MomentDirector of Photography
- 1947Song of ScheherazadeDirector of Photography
- 1947I'll Be YoursDirector of Photography
- 1946Because of HimDirector of Photography
- 1945Salome, Where She DancedDirector of Photography
- 1945Her Lucky NightDirector of Photography
- 1944Enter Arsène LupinDirector of Photography
- 1944The ClimaxDirector of Photography
- 1944This Is the LifeDirector of Photography
- 1943Top ManDirector of Photography
- 1943Watch on the RhineDirector of Photography
- 1943Phantom of the OperaDirector of Photography
- 1942Lady in a JamDirector of Photography
- 1941International LadyDirector of Photography
- 1941Pot o' GoldDirector of Photography
- 1940When the Daltons RodeDirector of Photography
- 1939Destry Rides AgainDirector of Photography
- 1939RioDirector of Photography
- 1939Back Door to HeavenDirector of Photography
- 1938I Met My Love AgainCollege Student (uncredited)
- 1937When Love Is YoungDirector
- 1936Ladies in LoveDirector of Photography
- 1936The Green PasturesDirector of Photography
- 1936Bullets or BallotsDirector of Photography
- 1936The Walking DeadDirector of Photography
- 1935Captain BloodDirector of Photography
- 1935A Midsummer Night's DreamDirector of Photography
- 1935Under PressureCinematography
- 1934Servants' EntranceDirector of Photography
- 1934Change of HeartDirector of Photography
- 1934David HarumDirector of Photography
- 1933The Devil's in LoveDirector of Photography
- 1933I Loved You WednesdayDirector of Photography
- 1933The Warrior's HusbandDirector of Photography
- 1933State FairDirector of Photography
- 1932Tess of the Storm CountryDirector of Photography
- 1932The First YearDirector of Photography
- 1932Week Ends OnlyDirector of Photography
- 1932Lady with a PastDirector of Photography
- 1932A Woman CommandsDirector of Photography
- 1931DevotionDirector of Photography
- 1931The Big GambleDirector of Photography
- 1931A Woman of ExperienceDirector of Photography
- 1931The Front PageAdditional Photography
- 1930Outward BoundDirector of Photography
- 1930The Czar of BroadwayDirector of Photography
- 1930Big BoyDirector of Photography
- 1930King of JazzDirector of Photography
- 1929The HoneymoonDirector of Photography
- 1929Shanghai LadyDirector of Photography
- 1929The Last PerformanceDirector of Photography
- 1929BroadwayDirector of Photography
- 1928The Last WarningDirector of Photography
- 1928Noah's ArkDirector of Photography
- 1928Glorious BetsyDirector of Photography
- 1928TenderloinDirector of Photography
- 1927The Jazz SingerDirector of Photography
- 1927Old San FranciscoDirector of Photography
- 1927The Heart of MarylandDirector of Photography
- 1927Bitter ApplesDirector of Photography
- 1926The Third DegreeDirector of Photography
- 1926SparrowsDirector of Photography
- 1926The Marriage ClauseDirector of Photography
- 1925Little Annie RooneyDirector of Photography
- 1925The MonsterDirector of Photography
- 1924Vanity's PriceCinematography
- 1924A Woman Who SinnedDirector of Photography
- 1923Bag and BaggageDirector of Photography
- 1923The Strange Adventures of Prince CourageousCinematography
- 1922Watch Him StepDirector of Photography
- 1917The Big IdeaDirector
- 1917Perils of the Secret ServiceDirector
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