Person
Eugen Schüfftan
Camera · 1893–1977 · Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
Biography
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Known for

Hawkeye and the Last of the Mohicans
Director of Photography

Metropolis
Visual Effects

Ulysses
Special Effects

The Hustler
Director of Photography

Eyes Without a Face
Director of Photography

Napoleon
Visual Effects Supervisor

The Respectful Prostitute
Director of Photography
Hudson's Bay
Cinematography

Hatred
Director of Photography

The Oil Sharks
Director of Photography
Filmography
- 1966ChappaquaCamera Operator
- 1966The Doctor Speaks OutDirector of Photography
- 1965Three Rooms in ManhattanDirector of Photography
- 1964The Big ScareDirector of Photography
- 1964LilithDirector of Photography
- 1963The VirginsDirector of Photography
- 1963Captain SindbadCinematography
- 1961Something WildDirector of Photography
- 1961The HustlerDirector of Photography
- 1960Eyes Without a FaceDirector of Photography
- 1960A CoupleDirector of Photography
- 1959The Bloody BroodDirector of Photography
- 1959Head Against the WallDirector of Photography
- 1958The First NightDirector of Photography
- 1957Hawkeye and the Last of the MohicansDirector of Photography
- 1954A Parisian in RomeDirector of Photography
- 1954UlyssesSpecial Effects
- 1953The Venus of TivoliDirector of Photography
- 1953The Crimson CurtainDirector of Photography
- 1953Mina de VanghelDirector of Photography
- 1952The Respectful ProstituteDirector of Photography
- 1950Gunman in the StreetsDirector of Photography
- 1948Women in the NightSet Decoration
- 1946The Strange WomanProducer
- 1946The Dark MirrorVisual Effects
- 1946A Scandal in ParisProduction Supervisor
- 1945Club HavanaDirector of Photography
- 1944BluebeardDirector of Photography
- 1944Summer StormDirector of Photography
- 1944It Happened TomorrowTechnical Supervisor
- 1944Voice in the WindTechnical Advisor
- 1943Hitler's MadmanDirector of Photography
- 1940There's No TomorrowDirector of Photography
- 1940The EmigrantDirector of Photography
- 1939María de la ODirector of Photography
- 1938The Shanghai DramaDirector of Photography
- 1938Port of ShadowsDirector of Photography
- 1938HatredDirector of Photography
- 1937ForfaitureDirector of Photography
- 1937Bizarre, BizarreDirector of Photography
- 1937YoshiwaraDirector of Photography
- 1937Street of ShadowsDirector of Photography
- 1936The Trouble with MoneyDirector of Photography
- 1936The Tender EnemyDirector of Photography
- 1936The InvaderDirector of Photography
- 1934The Slump Is OverDirector of Photography
- 1934The ScandalDirector of Photography
- 1933High and LowDirector of Photography
- 1933Invisible OpponentDirector of Photography
- 1933The Oil SharksDirector of Photography
- 1932Queen of AtlantisDirector of Photography
- 1932The Mistress of AtlantisDirector of Photography
- 1931Into the BlueDirector
- 1931I'd Rather Have Cod Liver OilDirector of Photography
- 1931The ScoundrelDirector of Photography
- 1931Les quatre vagabondsCinematography
- 1931Popular TuneDirector of Photography
- 1930The Stolen FaceDirector of Photography
- 1930FarewellDirector of Photography
- 1930People on SundayDirector of Photography
- 1929Jagd auf dichDirector of Photography
- 1927MetropolisVisual Effects
- 1927NapoleonVisual Effects Supervisor
- 1926Manon LescautAdditional Photography
- —Hudson's BayCinematography
Follow their work on Vescene
Rate films and shows on two axes — quality and fun — and share taste with friends.