Person
Robert Burks
Camera · 1909–1968 · Chino Hills, California, USA
Biography
From Wikipedia, the free encyclopedia Robert Burks, A.S.C. (July 4, 1909 – May 11, 1968) was an American cinematographer known for being proficient in virtually every genre and equally at home with black-and-white or color. Burks began his career as a special effects technician in the late 1930s before becoming a director of photography in the mid-1940s. His first credit in this field was Jammin' the Blues (1944), a short film featuring leading jazz musicians of the day. Burks collaborated with Alfred Hitchcock on twelve of the director's films. Beginning with Strangers on a Train in 1951 (which secured him an Oscar nomination) through Marnie in 1964, he shot every Hitchcock film except Psycho in 1960. Additional credits include The Fountainhead, Beyond the Forest, The Glass Menagerie, The Spirit of St. Louis, The Music Man, and A Patch of Blue. Burks and his wife died in a house fire in 1968 in Huntington Harbor, California.
Known for

Rear Window
Director of Photography

Vertigo
Director of Photography

North by Northwest
Director of Photography

The Birds
Director of Photography

Strangers on a Train
Director of Photography

To Catch a Thief
Director of Photography

I Confess
Director of Photography

House of Wax
Other

Dial M for Murder
Director of Photography

The Music Man
Director of Photography
Filmography
- 1967Waterhole #3Director of Photography
- 1965A Patch of BlueDirector of Photography
- 1965Once a ThiefDirector of Photography
- 1964MarnieDirector of Photography
- 1963The BirdsDirector of Photography
- 1962The Music ManDirector of Photography
- 1961The Pleasure of His CompanyDirector of Photography
- 1960The Great ImpostorDirector of Photography
- 1960The Rat RaceDirector of Photography
- 1959But Not for MeDirector of Photography
- 1959North by NorthwestDirector of Photography
- 1959The Black OrchidDirector of Photography
- 1958VertigoDirector of Photography
- 1957The Spirit of St. LouisDirector of Photography
- 1956The Wrong ManDirector of Photography
- 1956The Vagabond KingDirector of Photography
- 1956The Man Who Knew Too MuchDirector of Photography
- 1955The Trouble with HarryDirector of Photography
- 1955To Catch a ThiefDirector of Photography
- 1954Rear WindowDirector of Photography
- 1954Dial M for MurderDirector of Photography
- 1953HondoDirector of Photography
- 1953The Desert SongDirector of Photography
- 1953House of WaxOther
- 1953I ConfessDirector of Photography
- 1952The Miracle of Our Lady of FatimaSpecial Effects
- 1952Mara MaruDirector of Photography
- 1952Room for One MoreDirector of Photography
- 1951Come Fill the CupDirector of Photography
- 1951Close to My HeartDirector of Photography
- 1951Tomorrow Is Another DayDirector of Photography
- 1951Strangers on a TrainDirector of Photography
- 1951The EnforcerDirector of Photography
- 1950The Glass MenagerieDirector of Photography
- 1949Beyond the ForestDirector of Photography
- 1949Task ForceDirector of Photography
- 1949The FountainheadDirector of Photography
- 1949The Younger BrothersSpecial Effects
- 1949A Kiss in the DarkDirector of Photography
- 1948To the VictorCinematography
- 1948Key LargoSpecial Effects
- 1947The UnsuspectedVisual Effects
- 1947Cry WolfSpecial Effects
- 1947The UnfaithfulSpecial Effects
- 1947PossessedSpecial Effects
- 1947The Two Mrs. CarrollsSpecial Effects
- 1945Star in the NightDirector of Photography
- 1945Pride of the MarinesSpecial Effects
- 1944Arsenic and Old LaceSpecial Effects
- 1944Make Your Own BedDirector of Photography
- 1944Jammin' the BluesDirector of Photography
- 1942In This Our LifeSpecial Effects
- 1942Kings RowSpecial Effects
- 1941Highway WestSpecial Effects
- 1941The Great LieSpecial Effects
- 1940Dr. Ehrlich's Magic BulletSpecial Effects
- 1937Marked WomanSpecial Effects
Follow their work on Vescene
Rate films and shows on two axes — quality and fun — and share taste with friends.