Person
Archie Stout
Camera · 1886–1973 · Renwick, Iowa, USA
Biography
From Wikipedia, the free encyclopedia Archie Stout (March 30, 1886 – March 10, 1973), A.S.C. was an American cinematographer whose career spanned from 1914 to 1954. He enjoyed a long and fruitful association with John Ford, working as second unit cinematographer on Fort Apache (1948), She Wore a Yellow Ribbon (1949) and The Quiet Man (1952), becoming the only 2nd unit cinematographer to receive an Academy Award. In a wide-ranging career, he also worked on such films as the original version of The Ten Commandments (1923) and several Hopalong Cassidy and Tarzan films. His last film was the airborne disaster movie The High and the Mighty in 1954. In 1914, Mack Sennett was filming a comedy with Louise Fazenda, and it required a scene with a pelican "nibbling at [Louise's] posterior". However, the state law in California required that a representative of the fish and game committee be present at all times when handling the pelican. Archie was game warden of the fish and game commission of California at the time, and was assigned to oversee the handling of a pelican. However, several days after the scene with the pelican, Stout continued to observe and speak to Mack Sennett and his lead cameraman, Fred Jackman, throughout the rest of the shoot. Jackman, taking a liking to Stout, and in need of background shots, asked if Stout would be interested in getting the shots for him. Stout eagerly agreed, and after a brief lesson on how the camera worked, went up into the High Sierras to get the shots. Once the film was developed, Jackman saw the potential in Stout's abilities and hired him immediately. By the 1930s, Stout was "earning a reputation for outstanding outdoor photography" and was moving between director of photography positions and second unit jobs. He would go on to develop a strong professional relationship with actor John Wayne, shooting at least 25 of his films, most of which were westerns. Stout eventually became a part of director John Ford's camera crew, handling second unit photography on Fort Apache (1948), She Wore a Yellow Ribbon (1949), Rio Grande (1950), Wagon Master (1950) and The Quiet Man (1952). Between his background with nature and his eye for exterior shots, Stout would go on to be "among the top dozen cinematographers associated with Westerns". In an interview, Archie said in the first eight years of his career he "roughly made 300 pictures for Mack Sennett and the Christie boys". By the printing of the article, he would be shooting his 500th film. Although that is a staggering number of movies for a cinematographer, especially one well into his 50s, Archie was not too impressed with the number, saying that "in the old days a one-reeler was shot in two or three days, and as soon as you finished one you started right in with another".
Known for

The Quiet Man
Second Unit Director of Photography

Sagebrush Trail
Director of Photography

Hondo
Director of Photography

Fort Apache
Director of Photography

She Wore a Yellow Ribbon
Second Unit Director of Photography

Angel and the Badman
Director of Photography

The Trail Beyond
Director of Photography

Wagon Master
Second Unit Director of Photography

Rio Grande
Second Unit Director of Photography

Manslaughter
Director of Photography
Filmography
- 1954The High and the MightyDirector of Photography
- 1953HondoDirector of Photography
- 1953Island in the SkyDirector of Photography
- 1953The Sun Shines BrightDirector of Photography
- 1953Trouble Along the WayDirector of Photography
- 1952The Quiet ManSecond Unit Director of Photography
- 1951Hard, Fast and Beautiful!Director of Photography
- 1950Rio GrandeSecond Unit Director of Photography
- 1950OutrageDirector of Photography
- 1950Wagon MasterSecond Unit Director of Photography
- 1950Never FearDirector of Photography
- 1949She Wore a Yellow RibbonSecond Unit Director of Photography
- 1949Lust for GoldDirector of Photography
- 1948Fort ApacheDirector of Photography
- 1947Tarzan and the HuntressDirector of Photography
- 1947Angel and the BadmanDirector of Photography
- 1946Abilene TownDirector of Photography
- 1945Captain KiddDirector of Photography
- 1945Story of G.I. JoeDirector of Photography
- 1945Tarzan and the AmazonsDirector of Photography
- 1944Dark WatersDirector of Photography
- 1944Summer StormDirector of Photography
- 1944It Happened TomorrowDirector of Photography
- 1940The Texas Rangers Ride AgainDirector of Photography
- 1940The WesternerSpecial Effects
- 1939Rulers of the SeaDirector of Photography
- 1939Beau GesteDirector of Photography
- 1938The Adventures of Marco PoloDirector of Photography
- 1937The HurricaneAdditional Photography
- 1937Hills of Old WyomingDirector of Photography
- 1937BorderlandDirector of Photography
- 1936Trail DustDirector of Photography
- 1936Hopalong Cassidy ReturnsDirector of Photography
- 1936Sea SpoilersDirector of Photography
- 1936Three on the TrailDirector of Photography
- 1936Call of the PrairieDirector of Photography
- 1936Heart of the WestDirector of Photography
- 1935Bar 20 Rides AgainDirector of Photography
- 1935Lawless RangeDirector of Photography
- 1935The Eagle's BroodDirector of Photography
- 1935Texas TerrorDirector of Photography
- 1935Guns Along The TrailDirector of Photography
- 1935Hop-a-long CassidyDirector of Photography
- 1935Westward HoDirector of Photography
- 1935Paradise CanyonDirector of Photography
- 1935The Dawn RiderDirector of Photography
- 1935The Desert TrailDirector of Photography
- 1935The Fighting WesternerDirector of Photography
- 1934'Neath the Arizona SkiesDirector of Photography
- 1934The Lawless FrontierDirector of Photography
- 1934The Trail BeyondDirector of Photography
- 1934The Star PackerDirector of Photography
- 1934Randy Rides AloneDirector of Photography
- 1934The Man from UtahDirector of Photography
- 1934Mystery LinerDirector of Photography
- 1934West of the DivideDirector of Photography
- 1934The Lucky TexanDirector of Photography
- 1934Claim JumpersCinematography
- 1934Sixteen Fathoms DeepDirector of Photography
- 1933Sagebrush TrailDirector of Photography
- 1933FugitiveDirector of Photography
- 1933Riders of DestinyDirector of Photography
- 1933Ranger's CodeDirector of Photography
- 1933Rainbow RanchDirector of Photography
- 1933Sunset PassDirector of Photography
- 1933Under the Tonto RimDirector of Photography
- 1933The Mysterious RiderDirector of Photography
- 1932The Man from ArizonaDirector of Photography
- 1932Heritage of the DesertDirector of Photography
- 1932Law of the NorthDirector of Photography
- 1932The Arm of the LawDirector of Photography
- 1932Law of the WestDirector of Photography
- 1932Ghost CityDirector of Photography
- 1931Law of the SeaDirector of Photography
- 1931Forgotten WomenDirector of Photography
- 1931Mother and SonDirector of Photography
- 1931A Son of the PlainsDirector of Photography
- 1931A Rider of the PlainsCinematography
- 1931Gun SmokeDirector of Photography
- 1931The Conquering HordeDirector of Photography
- 1931The Sunrise TrailDirector of Photography
- 1930DerelictDirector of Photography
- 1930Headin' NorthDirector of Photography
- 1930The Sea GodDirector of Photography
- 1930ManslaughterDirector of Photography
- 1930The Return of Dr. Fu ManchuDirector of Photography
- 1930The Benson Murder CaseDirector of Photography
- 1930Men Are Like ThatDirector of Photography
- 1930Dangerous ParadiseDirector of Photography
- 1929Darkened RoomsDirector of Photography
- 1929The Wild PartyCamera Operator
- 1924Feet of ClayDirector of Photography
- 1921His NibsDirector of Photography
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