
Person
Hal Ashby
Directing · 1929–1988 · Ogden, Utah, USA
Biography
Hal Ashby (September 2, 1929 – December 27, 1988) was an American film director and editor associated with the New Hollywood wave of filmmaking. Before his career as a director, Ashby edited films for Norman Jewison, notably The Russians Are Coming, the Russians Are Coming (1966), which earned him an Oscar nomination for Best Editing, and In the Heat of the Night (1967), which earned him an Oscar for the same category. Ashby received a third Oscar nomination, this time for Best Director, for Coming Home (1978). Other films directed by Ashby include The Landlord (1970), Harold and Maude (1971), The Last Detail (1973), Shampoo (1975), Bound for Glory (1976) and Being There (1979). Born William Hal Ashby in Ogden, Utah, he grew up in a Mormon household. His tumultuous childhood as part of a dysfunctional family included the divorce of his parents, his father's suicide, and dropping out of high school. Ashby was married and divorced by the time he was 19. As Ashby was entering adult life, he moved from Utah to California where he soon became an assistant film editor. After being nominated for the Academy Award for Film Editing in 1967 for The Russians Are Coming, the Russians Are Coming, his big break occurred in 1968 when he won the award for In the Heat of the Night. At the urging of producer Norman Jewison, Ashby directed his first film The Landlord in 1970. While his birth date placed him squarely within the realm of the prewar generation, the filmmaker quickly embraced the hippie lifestyle, adopting vegetarianism and growing his hair long. In 1970 he married actress Joan Marshall. While they remained married until his death in 1988, the two had separated by the mid-seventies, with Marshall never forgiving Ashby, along with Warren Beatty and Robert Towne, for dramatizing certain unflattering elements of her life in Shampoo. Over the next 16 years, Ashby directed several acclaimed and popular films, many were about outsiders and adventurers traversing the pathways of life. Aside from Shampoo, Ashby's most commercially successful film was the Vietnam War drama Coming Home (1978). Starring Jane Fonda and Jon Voight, both in Academy Award-winning performances, it was for this film that Ashby earned his only Best Director nomination from the Academy for his work. After Being There (his last film to achieve widespread attention), Ashby became notoriously reclusive and eccentric, retreating to his home in Malibu Colony. Later it was learned that Ashby was using drugs, and he slowly became difficult and unemployable. Attempting to turn a corner in his declining career, Ashby stopped using drugs, trimmed his hair and beard, and began to frequently attend Hollywood parties wearing a navy blue blazer so as to suggest that he was once again employable. Despite these efforts, he could only find work as a television director. Ashby died on December 27, 1988 at his home in Malibu, California. The Last Detail, Bound for Glory, Coming Home, and Being There were all nominated for the Palme d'Or.
Known for

The Mike Douglas Show
Self

The Oscars
Self

Les Rendez-vous du dimanche
Self

The Big Country
Assistant Editor

Beverly Hills Buntz
Director

Harold and Maude
Bearded Man Watching Model Train (uncredited)

In the Heat of the Night
Editor

The Last Detail
Director

The Thomas Crown Affair
Producer

Being There
Man at File Cabinet at the Washington Post (uncredited)
Filmography
- 2019HalSelf (archive footage)
- 2007The Rolling Stones: Satisfaction InterviewsDirector
- 1988Jake's JourneyDirector
- 1987Beverly Hills BuntzDirector
- 19868 Million Ways to DieDirector
- 1985The Slugger's WifeDirector
- 1984Neil Young: Solo TransDirector
- 1982Let's Spend the Night TogetherDirector
- 1982Lookin' to Get OutMan Speaking on TV (uncredited)
- 1981The Rolling Stones: Hampton Coliseum (Live 1981)Director
- 1981Second-Hand HeartsDirector
- 1979Being ThereMan at File Cabinet at the Washington Post (uncredited)
- 1978Coming HomeDirector
- 1976Bound for GloryDirector
- 1976The StrongerExecutive Producer
- 1975ShampooDirector
- 1975Les Rendez-vous du dimancheSelf
- 1973The Last DetailDirector
- 1971Harold and MaudeBearded Man Watching Model Train (uncredited)
- 1970The LandlordGroom in Opening Shot (uncredited)
- 1969Gaily, GailyAssociate Producer
- 1968The Thomas Crown AffairProducer
- 1967In the Heat of the NightEditor
- 1966The Russians Are Coming! The Russians Are Coming!Editor
- 1965The Cincinnati KidEditor
- 1965The Loved OneEditor
- 1964The Best ManEditorial Consultant
- 1961The Children's HourAssistant Editor
- 1961The Mike Douglas ShowSelf
- 1958The Big CountryAssistant Editor
- 1953The OscarsSelf
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