Person
Karl Freund
Camera · 1890–1969 · Königinhof, Bohemia, Czech Republic
Biography
From Wikipedia, the free encyclopedia. Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
German Film Award
Self

Metropolis
Director of Photography

Dracula
Director of Photography

All Quiet on the Western Front
Director of Photography

The Mummy
Director

Camille
Director of Photography

Pride and Prejudice
Director of Photography

The Last Laugh
Director of Photography

Key Largo
Director of Photography

Undercurrent
Director of Photography
Filmography
- 1960The GolemDirector of Photography
- 1953I Love Lucy: The MovieDirector of Photography
- 1951German Film AwardSelf
- 1950Bright LeafDirector of Photography
- 1950MontanaDirector of Photography
- 1949South of St. LouisDirector of Photography
- 1948The Decision of Christopher BlakeDirector of Photography
- 1948Key LargoDirector of Photography
- 1948WallflowerDirector of Photography
- 1947That Hagen GirlDirector of Photography
- 1947This Time for KeepsDirector of Photography
- 1946UndercurrentDirector of Photography
- 1946A Letter for EvieDirector of Photography
- 1946Two Smart PeopleDirector of Photography
- 1945Dangerous PartnersDirector of Photography
- 1945Without LoveDirector of Photography
- 1944The Thin Man Goes HomeDirector of Photography
- 1944The Seventh CrossDirector of Photography
- 1944A Guy Named JoeDirector of Photography
- 1943Cry 'Havoc'Director of Photography
- 1943Du Barry Was a LadyDirector of Photography
- 1942A Yank at EtonDirector of Photography
- 1942The War Against Mrs. HadleyDirector of Photography
- 1942The Affairs of MarthaDirector of Photography
- 1942Tortilla FlatDirector of Photography
- 1941The Chocolate SoldierDirector of Photography
- 1941Blossoms in the DustDirector of Photography
- 1941You Can't Fool a CameraHimself
- 1940Comrade XCamera Operator
- 1940Pride and PrejudiceDirector of Photography
- 1940We Who Are YoungDirector of Photography
- 1940FlorianDirector of Photography
- 1940Green HellDirector of Photography
- 1940The Earl of ChicagoDirector of Photography
- 1939BalalaikaDirector of Photography
- 1939BarricadeDirector of Photography
- 1939Golden BoyDirector of Photography
- 1939Rose of Washington SquareDirector of Photography
- 1939Tail SpinDirector of Photography
- 1938Letter of IntroductionDirector of Photography
- 1938Port of Seven SeasDirector of Photography
- 1938Three ComradesDirector of Photography
- 1938Man-ProofDirector of Photography
- 1937ConquestDirector of Photography
- 1937ParnellDirector of Photography
- 1937The Good EarthDirector of Photography
- 1936CamilleDirector of Photography
- 1936The Great ZiegfeldDirector of Photography
- 1935Mad LoveDirector
- 1934Gift of GabDirector
- 1934I Give My LoveDirector
- 1934Uncertain LadyDirector
- 1934The Countess of Monte CristoDirector
- 1934Madame SpyDirector
- 1933Moonlight and PretzelsDirector
- 1933The Kiss Before the MirrorDirector of Photography
- 1932The MummyDirector
- 1932Afraid to TalkDirector of Photography
- 1932Air MailDirector of Photography
- 1932Back StreetDirector of Photography
- 1932Scandal for SaleDirector of Photography
- 1932Murders in the Rue MorgueDirector of Photography
- 1931Strictly DishonorableDirector of Photography
- 1931Personal MaidDirector of Photography
- 1931Up for MurderDirector of Photography
- 1931The Bad SisterDirector of Photography
- 1931DraculaDirector of Photography
- 1930The Boudoir DiplomatDirector of Photography
- 1930The Lottery BrideDirector of Photography
- 1930All Quiet on the Western FrontDirector of Photography
- 1930Sleeping PartnersDirector of Photography
- 1929Fräulein ElseDirector of Photography
- 1928A Knight in LondonDirector of Photography
- 1928Lady JuanDirector of Photography
- 1927Berlin: Symphony of a Great CityProducer
- 1927MetropolisDirector of Photography
- 1926Madame Wants No ChildrenProducer
- 1926Adventures of a Ten Mark NoteProduction Supervisor
- 1926Manon LescautDirector of Photography
- 1926TartuffeDirector of Photography
- 1925VarietyDirector of Photography
- 1924The Last LaughDirector of Photography
- 1924MichaelLeBlanc - Art Dealer
- 1924The Finances of the Grand DukeDirector of Photography
- 1923The ExpulsionDirector of Photography
- 1923Der Tiger des Zirkus FariniDirector of Photography
- 1922Herzog Ferrantes EndeDirector of Photography
- 1922Lucrezia BorgiaDirector of Photography
- 1922The Burning SoilDirector of Photography
- 1922MarizzaDirector of Photography
- 1922Das blinde GlückDirector of Photography
- 1921TorgusDirector of Photography
- 1921The RatsDirector of Photography
- 1921The Boy in BlueDirector of Photography
- 1921The Lost ShadowDirector of Photography
- 1920The Golem: How He Came into the WorldDirector of Photography
- 1920Catherine the GreatCinematography
- 1920Panic in the House of ArdonDirector of Photography
- 1920The Head of JanusDirector of Photography
- 1920The Hunchback and the DancerDirector of Photography
- 1920Die Nacht auf GoldenhallDirector of Photography
- 1920The Spiders: Part 2 - The Diamond ShipDirector of Photography
- 1920SatanDirector of Photography
- 1919The Spiders: Part 1 - The Golden SeaDirector of Photography
- 1919Die Arche. 2. Teil: Die letzten MenschenDirector of Photography
- 1919The ArcDirector of Photography
- 1919IntoxicationDirector of Photography
- 1919AugenCinematography
- 1919Phantome des LebensDirector of Photography
- 1918Die Dame, der Teufel und die ProbiermamsellDirector of Photography
- 1918Die blaue LaterneDirector of Photography
- 1918Die Heimkehr des OdysseusDirector of Photography
- 1918Das Maskenfest des LebensDirector of Photography
- 1918Agnes Arnau und ihre drei FreierDirector of Photography
- 1918Das Geschlecht derer von RingwallDirector of Photography
- 1918Auf Probe gestelltDirector of Photography
- 1918Countess KitchenmaidDirector of Photography
- 1917The Giant's FistDirector of Photography
- 1917Die Claudi vom GeiserhofDirector of Photography
- 1917Gefangene SeeleDirector of Photography
- 1917Christa HartungenDirector of Photography
- 1917Der Liebesbrief der KöniginDirector of Photography
- 1917Die Ehe der Luise RohrbachDirector of Photography
- 1916The White RosesDirector of Photography
- 1916The Robber BrideDirector of Photography
- 1916Das wandernde LichtDirector of Photography
- 1916Little Angel's WeddingCamera Operator
- 1916Frau EvaDirector of Photography
- 1916The Man in the MirrorDirector of Photography
- 1916BummelstudentenDirector of Photography
- 1914The Hound of the BaskervillesDirector of Photography
- 1914A Venetian NightDirector of Photography
- 1914Das FeuerDirector of Photography
- 1914Zapata's GangDirector of Photography
- 1914Little AngelDirector of Photography
- 1913The Film Prima DonnaDirector of Photography
- 1913The SuffragetteDirector of Photography
- 1912Poor MotherDirector of Photography
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