
Person
Frank D. Williams
Camera · 1893–1961 · Nashville, Missouri, USA
Biography
Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot. Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri. In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays. When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921. While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey. From Wikipedia, the free encyclopedia
Known for

The Invisible Man
Visual Effects Supervisor

Caught in a Cabaret
Director of Photography

Sunrise: A Song of Two Humans
Special Effects

Caught in the Rain
Cinematography

Those Love Pangs
Cinematography

A Busy Day
Director of Photography

A Film Johnnie
Director of Photography

Making a Living
Director of Photography

Dough and Dynamite
Cinematography

The Masquerader
Cinematography
Filmography
- 1933The Invisible ManVisual Effects Supervisor
- 1927Sunrise: A Song of Two HumansSpecial Effects
- 1921The SwampDirector of Photography
- 1921Where Lights Are LowDirector of Photography
- 1921Black RosesDirector of Photography
- 1920The Devil's ClaimDirector of Photography
- 1920The Brand of LopezCinematography
- 1920The Beggar PrinceCinematography
- 1919The Tong ManDirector of Photography
- 1919The Illustrious PrinceCinematography
- 1919The Dragon PainterDirector of Photography
- 1919The Man BeneathDirector of Photography
- 1919His DebtCinematography
- 1918Secret StringsCinematography
- 1918Queen of the SeaDirector of Photography
- 1917The Rough HouseDirector of Photography
- 1917A Reckless RomeoDirector of Photography
- 1917The Butcher BoyDirector of Photography
- 1916The VagabondDirector of Photography
- 1916The FloorwalkerDirector of Photography
- 1916Hop - The Devil's BrewDirector of Photography
- 1914Tillie's Punctured RomanceDirector of Photography
- 1914His Prehistoric PastCaveman (uncredited)
- 1914Getting AcquaintedDirector of Photography
- 1914His Trysting PlacesCinematography
- 1914His Musical CareerCinematography
- 1914Gentlemen of NerveCinematography
- 1914Dough and DynamiteCinematography
- 1914Those Love PangsCinematography
- 1914The New JanitorCinematography
- 1914The RoundersDirector of Photography
- 1914His New ProfessionDirector of Photography
- 1914The MasqueraderCinematography
- 1914RecreationDirector of Photography
- 1914The Face on the Barroom FloorCinematography
- 1914The Property ManDirector of Photography
- 1914Laughing GasCinematography
- 1914Mabel's Married LifeDirector of Photography
- 1914Mabel's Busy DayCinematography
- 1914The KnockoutDirector of Photography
- 1914Her Friend the BanditCinematography
- 1914The Fatal MalletCinematography
- 1914A Busy DayDirector of Photography
- 1914Caught in the RainCinematography
- 1914Caught in a CabaretDirector of Photography
- 1914His Favorite PastimeDirector of Photography
- 1914Tango TanglesDirector of Photography
- 1914A Film JohnnieDirector of Photography
- 1914Between ShowersDirector of Photography
- 1914Mabel's Strange PredicamentDirector of Photography
- 1914Kid Auto Races at VeniceCameraman (uncredited)
- 1914Making a LivingDirector of Photography
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