Film

Not to See Again

1980 · 14m

Misrecognitions and simulacra. An anti-montage film: a series of discrete shots that nevertheless gel at one or two points to produce simple meanings. Hovering on the line between abstraction and representation, the film hopes to problematize them both. According to Peter Gidal, “the abstract quality (never total, for the objects are always recognizable as objects) helps Hamlyn to negotiate sexual imagery as it occurs in the film by rendering those images relatively abstract and on a par with other objects depicted. The effect is to drain the image [of the naked body] of its conventional sexual meanings and associations (with pornography, for instance) and instead neutralize it almost.”

• Nicky HamlynDirector

Release date

January 1, 1980

Status

Released

Original language

English

Runtime

14m